Crime and Punishment by Fyodor Dostoyevsky

(1 User reviews)   410
By Elena Wang Posted on Jan 25, 2026
In Category - Architecture
Dostoyevsky, Fyodor, 1821-1881 Dostoyevsky, Fyodor, 1821-1881
English
Ever wondered what goes through someone's mind right after they do something terrible? That's the wild ride of 'Crime and Punishment.' Forget a typical detective story—this one starts with the crime. We follow Rodion Raskolnikov, a broke and brilliant ex-student in St. Petersburg, who convinces himself he's above the law. He plans and carries out the murder of a cruel pawnbroker, believing her money could fund his great future and that removing her is a net good for society. But instead of feeling powerful, he immediately starts to unravel. The real mystery isn't 'whodunit'—it's watching a man's own conscience become his worst enemy. Paranoia, fever dreams, and frantic attempts to outsmart a cunning police investigator named Porfiry close in on him. This book asks the big, uncomfortable question: Can you ever truly escape yourself after crossing a line? It's a psychological thriller written 150 years ago that still feels shockingly modern.
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Let's be honest, the title tells you exactly what this book is about. But the genius is in how Dostoyevsky unpacks it.

The Story

We meet Rodion Raskolnikov, living in a tiny, dirty room in St. Petersburg. He's poor, proud, and has dropped out of university. He cooks up a theory that 'extraordinary' people, like Napoleon, have the right to step over moral laws for a greater purpose. To test his own greatness, he decides to kill Alyona Ivanovna, a nasty old pawnbroker he sees as a 'louse' on society. The act is messy, and he's forced to kill her innocent sister, Lizaveta, too. He steals some trinkets but barely uses the money.

The rest of the story is the 'punishment.' It's not about a court trial, but the trial inside Raskolnikov's head. He gets physically sick with guilt and paranoia. He's drawn into a cat-and-mouse game with the clever investigator Porfiry, who seems to know everything just by watching him squirm. Meanwhile, his life intersects with other desperate souls: the kind-hearted prostitute Sonya, who becomes his confessor, and his loving sister Dunya, whose own sacrifices haunt him. The tension builds not from whether he'll get caught, but from whether his crumbling mind will drive him to confess or destroy himself.

Why You Should Read It

This book gets inside your head. Raskolnikov is frustrating, arrogant, and sometimes hard to like, but you feel every jolt of his panic and isolation. Dostoyevsky doesn't just tell you he's guilty; he makes you feel the suffocating weight of a secret. The side characters aren't just background—they're mirrors reflecting different parts of his soul and the poverty-stricken world around him. Sonya's quiet faith contrasts sharply with Raskolnikov's cold logic, and their scenes together are electric.

It's also surprisingly fast-paced for a classic. Large sections are intense conversations that read like psychological showdowns. You're not just reading about ideas; you're watching a man's entire philosophy of life shatter against the reality of what he's done.

Final Verdict

Perfect for anyone who loves a deep character study or a mental puzzle. If you like shows and books that explore the 'why' behind a crime more than the 'how,' this is your masterpiece. It's for readers who aren't afraid of messy, complicated protagonists and who enjoy wrestling with big questions about morality, guilt, and redemption. Give yourself time with it—the first 100 pages are a slow burn into a raging fire. It's a book that sticks with you long after you've turned the last page.



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Thomas Lewis
4 weeks ago

Very interesting perspective.

4
4 out of 5 (1 User reviews )

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